Summer Studio Report part 1: Small Floral Works

Florals have been on my mind over the time since I last blogged.  I have been splitting time between small pieces and large works.  All my small works lately have been either indigenous florals like these:

Dreamy Hawaiian Floral, Oil on Panel, 9 X 12

Yellow Hawaiian Floral, Oil on Panel, 9 X 12

Or orchids:  

Golden Orchids, Acrylic on Gessobord, 5 X 7

Yes, Gessobord is spelled strangely to protect copyright.  I always feel like a kindergarten kid typing it out, but I swear it is the company’s trademarked name, not my poor spelling skills. 

I have been working away on a large portrait and a massive landscape as well.  They should be done before the end of the year. Here’s a sneak peek of the portrait:

I wrote to my email subscribers that this would likely be the completed eye, but the very next day I proceeded to paint another coat and covered some of it to blend it in with the new flesh surrounding it and now I am even happier with the way the face is shaping up – It goes to show I never know which pieces will actually be retained because a painting is a sensitive balance of relationships between the various pieces. This is still kind of fun to share as an in-progress tidbit.  The landscape I will wait to show until it is done.  It shouldn’t be too long of a wait at this point. I hope to unveil it at my upcoming solo show at Kalapawai Cafe in Kailua in October.

 

A New Leaf

From March 2015:

“I am turning over a new “leaf” with a new series.  I am working on adding precious metals to my work.  I’ve been reading up exhaustively on the age-old methods of gilding and painting on copper.  I have always loved the old elaborate works from Italy in the 1500s, from artists such as Fra Angelico, and likewise, the beauty of impressionist landscape.  I have wondered in the past what it would look like if the old illuminated manuscripts were made in a tropical location, and it has spurred me to make a new series, tropical illumination.  I plan to paint the beautiful landscapes of Hawaii with the beautiful metals of an earlier time.”

I found this little paragraph in my drafts from 2015 and thought it was a good tidbit of “thought-history” to share.  I have since acted on this idea and learned to use metal leaf. 

What I had in mind was an array of results. I’m going to do the exact opposite of what I probably should do and reverse the countdown to share my favorite one first.  This realistic landscape, Sacred Space, with just a touch of subtle leafing in the water and leaves (my favorite use of leafing to date) really catches the eye with movement as it shifts and reflects the lighting.  At night it softly reflects any lights in the vicinity, remaining interesting to look at when other paintings have ceased to be visible.  

 

 

The whimsical metal leafing celtic-type manuscript bird painting below with an apapane and ohia woven into the image is probably the closest to the source of what inspired me to start using metal leaf.  The Secret of Kells – a gorgeous animation featuring the beautiful illuminated manuscripts of Kells was the spark for me that led to learning how to leaf.  The story within the animation is fictional, and full of fairy folk and charm, but the book is real and so is the heart of the message within the movie.  It’s gentle in spirit and stunningly beautiful!  I highly recommend it.  This animation made me think of the beauty of the illuminated manuscripts, and I began to wonder what monks from Ireland would have painted they would have seen Hawaii. This is a visual combination between the Celtic style and realism. The monks would have translated the bird and the ohia into their imaginative style, but I wanted to have a play between the two worlds.  Busy and intricate celtic knotwork featuring birds is leafed on top of adaptations from a page from a celtic manuscript that weaves around the realistically painted apapane and ohia that intertwines decoratively with the realistic bird and flower. This endangered bird and the iconic flower of Hawaii that provides its habitat, are more rare than jewels (and just as colorful).  Here they are treated like precious treasures  – illuminated like the most important words of an ancient world.

Sometimes it’s nice to paint a bird in front of a simple background of metal leaf like this copper/zinc leafing surrounding the red crested cardinal. The leafing is allowed to show off the interesting ripples that run through this particular type of leaf. Here I have shown the piece in two drastically different lighting schemes.  I love the life that metal gives to the piece – constantly affected by the surroundings.  Sometimes it is hard to do it justice in a photo.

In this last painting below, I was looking to Jesse Arms Botke, an amazing decorative painter during the turn of the century, as my inspiration.  Here, I am using the copper leafing as a  major feature of the surroundings.  The copper leaf in this painting took on a patina before sealing.  I utilized the natural variations in tone from green to coppery orange to create the effect of a shallow pond (actually a loi – a Hawaiian taro garden flooded with water)

I am continuing to explore the realm of metal leafing both in oil and in water-based works.  With different sizing and sealants, I can work with metal in either media.  It is very exciting to see what it can add to artistic creativity. It can go under or over paint, and multiple metals can be used in the same piece.  It produces a piece that cannot be replicated by a camera, which is a major bonus in my opinion, I love the light and movement it imbues into artwork. I use it judiciously in some but not all of my pieces.

Beach Sentinels

Beach Sentinels by Wendy Roberts

There is a type of weather that happens right before a small summer squall that is fleeting but beautiful.  The sun glistens on low, choppy waves that glitter like sequins under a spotlight.  Offshore islands fall into dark purple shadow.  This contrast makes the ocean look particularly surreal.  It emphasizes the green tones in the waves and creates a creamy turquoise color as the waters are churned with oxygen.    This will be a short refreshing storm that will make the hot sand smell damp.   It will finish in a sun shower as rain and sun combine in diamond drops on every leaf. Perhaps there will be a rainbow arcing across the sky.  The forecast is in front of your eyes if you know the beach well. 

How many summer squalls have these trees seen?  How many waves have they heard rushing ashore?  When I see weathered trees along a coastline, I think of them as sentinels – guards for the approaching wind, waves, and storms from the sea.  The boughs of these trees at Kalama beach are sculpted by wind, the flow of air made solid.  Their roots are protecting the shore, holding on to grains of sand although it seems an impossible task.  It is a marvel to me that anything can grow in the sand and the heat of the beach.  Despite the sparse nutrients and the blazing afternoon sun, they provide shade and protect against wind and erosion.

This oil panting will be at the elegant and refreshing Lion Coffee Cafe (1555 Kalani St, Honolulu, HI 96817) which has been newly remodeled.  If you are on Oahu, you can have a cup of coffee and a cookie or pastry and enjoy the show anytime Monday – Saturday from 6 AM to 5 PM between now and June 30, 2018.

Shama Thrush in a Mountain Apple Tree

Shama Thrush in a Mountain Apple Tree by Wendy RobertsShama Thrush in a Mountain Apple Tree
Oil on Canvas
12″ x 12″

Under-painting progress of Shama Thrush in a Mountain Apple Tree

Under-painting progress

Today I have finished a painting that I shared the early phases of on my Instagram account. 

Halfway done: progress of Shama Thrush in a Mountain Apple Tree

In-Progress view of Shama Thrush in a Mountain Apple Tree

I completed “Shama Thrush in a Mountain Apple Tree”, a piece meant to share the best aspects of one of my favorite hikes deep in the shade and protection of the lush Ko’olau Mountains.  In the background, you can see the same waterfall I featured in my prior piece, Sacred Space.  I love this waterfall because the rocks have a lot of character.  This time, the falls are not the star of the piece, but take a supporting role as the very real location where many white-rumped shama thrush live.  The shama thrush, its flowing tail a visual echo of the waterfall, perches in the branches of the mountain apple tree.  Here I have recreated the magical experience of finding the bright pink flowers of the mountain apple in full bloom.  If I could show it all in the same painting, I would depict how the petals carpet the ground with a layer of vivid pink, and I would paint the smell of the cool moss and the sound of the water.

 Shama are very curious birds and will often follow you, gliding from branch to branch for a long time as you hike, watching and listening to you as you walk through the trees.  As highly intelligent birds, they are not only keen observers, but also mimic birds to a limited extent, capable of learning short calls if you whistle to them repetitively.  If you are lucky, they will whistle the song back, quickly evolving your small tune into their own variation (4 or 5 notes is a good maximum if you are trying to teach them).  They may add clicks, chatters, trills, and melodic chirps until it blends seamlessly into their own repertoire.  Their voice is one of the sweetest of the island, with a clarity I would compare to the Meadow Larks of my childhood.  Some of my most unusual experiences with wild birds have been with shama thrushes.  If you are quiet and still, they will venture extremely close, and examine you carefully with their shiny black eyes. Unlike Snow White, I haven’t managed to convince them to help me with my laundry…yet.

Sacred Space

I have been quiet.  This is a sure sign that I have been working on something very large.  I am happy to unveil my latest piece: “Sacred Space” measuring 30″ x 48″ and what makes it such a large project is the level of detail.  Murals are larger, but they also get painted with large brushes.

Sacred Space by Wendy Roberts

Sacred Space complete with a frame from Brilhante Framing of Kailua

The idea for this piece hit me like a bolt of lightning 4 years ago when I had just watched “Secret of Kells” for the third time. “The Secret of Kells” is a cartoon so beautiful it should be thought of as a moving piece of art rather than what you would typically think of with animation.  It is about Celtic illuminated manuscripts and if you haven’t seen it, you should set aside a movie night to take a look.  It is a beautiful story with amazing animation. After viewing the amazing animated manuscripts once again, I wondered what tropical illuminated manuscripts would look like, and then after a few odd sketches of extremely stylized Hawaii scenery with a Celtic knotwork spin, the thought pushed into its final form: “What if I used metal leaf like paint to add movement to the water and the leaves – the sunlight dappling, changing, shifting like the light on the leafing?” I knew this had a potential to add another element to the painting, allowing me to more fully express the sense of awe felt while secluded next to a stunning waterfall. I had to learn how to use metal leaf and get good enough to apply it smoothly. That took about 2 years. Then it took a lot of time and care to work my way through the details on the canvas. I set it aside a few times to work on other things and allow my brain time to solve some quandries by passively working on them in the background.  I always returned with a fresh point of view. This will certainly not be the last “tropical leaf” painting! I am really interested in using the dynamic shimmer of metals in my work. I had to adjust for the variability of the silver leaf’s changing values, but the final effect adds motion and life that is impossible to show in a photo but I’ll try anyway by posting a detail from different angles.

Here is the ie ie vine in the painting, a woody endemic Hawaiian flower in the pandanus family, shown from two angles so you can see how the silver picks up and reflects light dynamically. You can also see a small portion of the waterfall’s silver leaf.

Giclees (durable canvas prints) of this piece will be available soon. It won’t have the leafing unfortunately since it has to be painted and blended into the rest of the piece, but when I get the final scan, I will be posting it on my “Giclees Available” page.

This piece will debut at the Punahou Carnival Art Show along with two of my little birds:

Akepa With Orange Ohia

Akepa with Orange Ohia

Saffron Finch In A Cannonball Tree by Wendy Roberts

Saffron Finch In A Cannonball Tree

A carnival?  You might find that odd.  Let me explain.  Hawaii has a handful of schools that function more like colleges.  They are rigorous, demand excellent grades, and inspire the kids who attend to really strive for their best potential.  Punahou is one of the largest of these.  They have a great scholarship program so that the school can admit kids who can benefit from the challenging education at a rate of payment their family can afford.  Every year, Punahou holds a carnival to bridge the gap between what the kids are able to pay and what the school demands to keep the facilities top notch.  Oddly enough, they have developed one of the largest, most prestigious art shows in the islands.  I am pleased to be participating. If these pieces are sold at the carnival, half the proceeds will go to the Punahou scholarship fund.  

Miniature Shows for November/December 2017

This November and December, I am getting a chance to show my works from September’s miniature work frenzy.  I had 4 pieces accepted into the AHA Miniature Show which ran throughout November, and 3 were juried in are still on display at the Koa Gallery.  Details are here for the Koa Gallery Show which is still on display:  http://www.wendyrobertsfineart.com/event/mixed-media-miniature-show/

At the AHA Miniature show:

Akepa With Orange Ohia

Akepa with Orange Ohia

Hawaiian Moorhen

Mynah Bird in a Coral Tree by Wendy Roberts

Mynah Bird in a Coral Tree

Violet Vanda Orchids

Violet Vanda Orchids

Mixed Media Miniature Show 20th Anniversary:

Java Sparrows in an Avocado Tree by Wendy Roberts

Java Sparrows in an Avocado Tree

Iiwi on Blue Lobeliads by Wendy Roberts

Iiwi on Blue Lobeliads

Saffron Finch in a Cannonball Tree by Wendy Roberts

Saffron Finch in a Cannonball Tree

30 in 30: Iiwi on a Blue Lobeliad

Iiwi on Blue Lobeliad Flowers by Wendy Roberts

Today’s bird is one of my favorites that I paint more than any other bird, the iiwi.  I love the bright red-orange color of its feathers.  I keep finding new color schemes I want to try with this vibrant red color.  This time the tiny honeycreeper is nestled on a vivid blue-purple lobeliad plant in bloom, using its curved beak to feed on nectar within the flowers.  Thanks to Kim and Forest Starr for a wonderful series of photos that served as inspiration.  

30 in 30: Day 1 of Shama Thrush in a Mountain Apple Tree

Day 1 of “Shama Thrush in a Mountain Apple Tree” Yesterday’s work was rushed and didn’t turn out well, but you will see it later on once it’s had time to be sorted out. In the meantime, I started a new painting that I will show the daily progress on. I don’t always do an underpainting, but this is a complex scene and I felt a brown undertone would be great for this one.

This painting is part of the 30 in 30 challenge.  You can see the completed paintings to date here: 30 in 30 gallery

30 in 30: Mynah Bird in a Coral Tree

Mynah Bird in a Coral Tree
Acrylic on Gessobord
5″ X 7″

Mynah birds can be trained to talk, and they do not sound like parrots.  If you want to see one that was rescued and taught to talk, I highly recommend this link:  

I love listening to this bird’s voice.  Their usual chatter includes an amazing range of sounds: the soft peep of surprise that sounds like the mew of a cat, loud squawks, shrill dual-tone screams meant to defend territory, and even clicks. I have placed it in the boughs of a lovely coral tree.  They are both introduced species from India that thrive in the mild climate of the islands, mynah birds particularly are one of the most common birds in the low elevations.