Sacred Space

I have been quiet.  This is a sure sign that I have been working on something very large.  I am happy to unveil my latest piece: “Sacred Space” measuring 30″ x 48″ and what makes it such a large project is the level of detail.  Murals are larger, but they also get painted with large brushes.

Sacred Space by Wendy Roberts

Sacred Space complete with a frame from Brilhante Framing of Kailua

The idea for this piece hit me like a bolt of lightning 4 years ago when I had just watched “Secret of Kells” for the third time. “The Secret of Kells” is a cartoon so beautiful it should be thought of as a moving piece of art rather than what you would typically think of with animation.  It is about Celtic illuminated manuscripts and if you haven’t seen it, you should set aside a movie night to take a look.  It is a beautiful story with amazing animation. After viewing the amazing animated manuscripts once again, I wondered what tropical illuminated manuscripts would look like, and then after a few odd sketches of extremely stylized Hawaii scenery with a Celtic knotwork spin, the thought pushed into its final form: “What if I used metal leaf like paint to add movement to the water and the leaves – the sunlight dappling, changing, shifting like the light on the leafing?” I knew this had a potential to add another element to the painting, allowing me to more fully express the sense of awe felt while secluded next to a stunning waterfall. I had to learn how to use metal leaf and get good enough to apply it smoothly. That took about 2 years. Then it took a lot of time and care to work my way through the details on the canvas. I set it aside a few times to work on other things and allow my brain time to solve some quandries by passively working on them in the background.  I always returned with a fresh point of view. This will certainly not be the last “tropical leaf” painting! I am really interested in using the dynamic shimmer of metals in my work. I had to adjust for the variability of the silver leaf’s changing values, but the final effect adds motion and life that is impossible to show in a photo but I’ll try anyway by posting a detail from different angles.

Here is the ie ie vine in the painting, a woody endemic Hawaiian flower in the pandanus family, shown from two angles so you can see how the silver picks up and reflects light dynamically. You can also see a small portion of the waterfall’s silver leaf.

Giclees (durable canvas prints) of this piece will be available soon. It won’t have the leafing unfortunately since it has to be painted and blended into the rest of the piece, but when I get the final scan, I will be posting it on my “Giclees Available” page.

This piece will debut at the Punahou Carnival Art Show along with two of my little birds:

Akepa With Orange Ohia

Akepa with Orange Ohia

Saffron Finch In A Cannonball Tree by Wendy Roberts

Saffron Finch In A Cannonball Tree

A carnival?  You might find that odd.  Let me explain.  Hawaii has a handful of schools that function more like colleges.  They are rigorous, demand excellent grades, and inspire the kids who attend to really strive for their best potential.  Punahou is one of the largest of these.  They have a great scholarship program so that the school can admit kids who can benefit from the challenging education at a rate of payment their family can afford.  Every year, Punahou holds a carnival to bridge the gap between what the kids are able to pay and what the school demands to keep the facilities top notch.  Oddly enough, they have developed one of the largest, most prestigious art shows in the islands.  I am pleased to be participating. If these pieces are sold at the carnival, half the proceeds will go to the Punahou scholarship fund.